Theatre or theater is a collaborative form of
performing art that uses live performers, usually
actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of
gesture, speech, song,
music, and
dance. Elements of art, such as painted scenery and
stagecraft such as
lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the
Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").
A theatre company is an organisation that produces theatrical performances, as distinct from a
theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)
The Relapse is a
Restoration comedy from 1696 by
John Vanbrugh, a
sequel to
Colley Cibber's notorious tear-jerker Love's Last Shift, or, Virtue Rewarded. In Cibber's Love's Last Shift, a free-living
Restorationrake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. Vanbrugh planned The Relapse around particular
actors at
Drury Lane, writing their stage habits, public reputations, and personal relationships into the text. One such actor was Colley Cibber himself, who played the luxuriant
fop Lord Foppington in both Love's Last Shift and The Relapse. However, Vanbrugh's artistic plans were threatened by a cut-throat struggle between London's two theatre companies, each of which was "seducing" actors from the other. The Relapse came close to not being produced at all, but the successful performance that was eventually achieved in November 1696 vindicated Vanbrugh's intentions, as well as saving the company from
bankruptcy.
... that Swedish actress Viran Rydkvist was one of the first women to run a theatre in Sweden?
... that the artist Thilagavathi teaches social interactions and facial expressions to children on the
autism spectrum through
Therukoothu folk-theatre performances?
... that Peter Herrmann composed a Second Symphony that premiered at the Gewandhaus with
Kurt Masur, and a Kant Pop Symphony that premiered at the
Musikhochschule Leipzig, where he had taught for decades?
... that Libuše Domanínská, a soprano of Prague's
National Theatre, performed in all of
Janáček's operas, and a recording she made as his
Jenůfa made his works better known beyond their home country?
Selected quote
Know your lines and don't bump into the furniture.
...that Ichikawa Danjūrō V, one of the most famous and successful
Kabuki actors, was briefly forced out of the theater after being accused of misappropriating funds?
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Amédée Forestier - Illustrated London News - Gilbert and Sullivan - Ruddygore (Ruddigore)
Anna Fernqvist, rollporträtt - SMV - H1 122 - Restoration
Annie Oakley shooting glass balls, 1894
Arizona - 1907 poster
Atelier Nadar - Fly scene from Offenbach's Orphée aux enfers with Jeanne Granier as Eurydice and Eugène Vauthier as Jupiter, 1887 revival, wide-angle shot
Atelier Nadar - Galli-Marié in Bizet's Carmen
Atelier Nadar - Jacques Isnardon, Vaudeville
Auguste François-Marie Gorguet - poster for the première performance of Édouard Lalo's Le roi d'Ys (1888)
Barbier, Jules, Nadar, Gallica
Bernhardt Hamlet2
Big White Fog
Bon-Ton Burlesquers2
Boris Kustodiev - Portrait of Fyodor Chaliapin - Google Art Project
Carl Nielsen c. 1908 - Restoration
Carloz Schwabe - Vincent d'Indy's Fervaal
Charles Frohman presents William Gillette in his new four act drama, Sherlock Holmes (LOC var 1364) (edit)
Charles Gounod (1890) by Nadar
Charles Motte - Rossini et Georges IV - la soirée de Brighton
Charles-Antoine Cambon - La Esmeralda, Act 3, Scene 2 set
Charles-Antoine Cambon - La Esmeralda, Act III, Scene 1 set design (Version 2)
Charles-Antoine Cambon - Set design for Act V, Scene 2 of Fromental Halévy's La reine de Chypre
Charles-Antoine Cambon - Set design for the première of Rossini's Robert Bruce, Act III, Scene 3
CharltonHestonCivilRightsMarch1963Retouched
Cherubini, Luigi - Medea - Restoration
Chicago Theatre blend
Christine Nilsson Nadar
Cody-Buffalo-Bill-LOC
Colette and Maurice Ravel's L'enfant et les sortilèges, 1st scene
Colette and Maurice Ravel's L'enfant et les sortilèges, 2nd scene
Collina presso Nagasaki, bozzetto di Alexandre Bailly, Marcel Jambon per Madama Butterfly (1906) - Archivio Storico Ricordi ICON000079 - Restoration
Colosseum in Rome, Italy - April 2007
Composer Rossini G 1865 by Carjat - Restoration
Célestin Nanteuil - Jules Massenet - Don César de Bazan
Danny Lee Wynter
Donald Pleasence Allan Warren edit
Elliott & Fry - photograph W. S. Gilbert
Elsie Leslie (1899) by Zaida Ben-Yusuf
Ethel Smyth
Ethel Waters - William P. Gottlieb
Eugène Du Faget - Costume designs for Guillaume Tell - 1-3. Laure Cinti-Damoreau as Mathilde, Adolphe Nourrit as Arnold Melchtal, and Nicolas Levasseur as Walter Furst
Eugène Du Faget - Costume designs for Les Huguenots - 2. Julie Dorus-Gras as Marguerite, Adolphe Nourrit as Raoul, and Cornélie Falcon as Valentine
Eugène Grasset - Jules Massenet - Werther
Eva Le Gallienne (mnwp.275003, cropped restoration)