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Portal:The arts Information

From Wikipedia
https://en.wikipedia.org/wiki/Portal:The_arts

T H E   A R T S   P O R T A L

The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space.

Prominent examples of the arts include:

They can employ skill and imagination to produce objects, performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular or everyday practices as well as more sophisticated and systematic, or institutionalized ones. They can be discrete and self-contained, or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually re-defined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity, and as ends in themselves, the arts can simultaneously be a form of response to the world, and a way that our responses, and what we deem worthwhile goals or pursuits, are transformed. From prehistoric cave paintings, to ancient and contemporary forms of ritual, to modern-day films, art has served to register, embody and preserve our ever shifting relationships to each other and to the world. ( Full article...)

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Neo-Impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat, whose most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it was first exhibited in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because it was the dominant technique in the beginning of the Neo-impressionist movement. This picture is a oil-on-canvas portrait of Félix Fénéon in the Neo-Impressionist style by French painter Paul Signac, dated 1890. The painting is now in the collection of the Museum of Modern Art in New York City.

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1885 hand-coloured albumen silver print by Farsari of three Maiko posing on an engawa

Adolfo Farsari (1841–1898) was an Italian photographer based in Yokohama, Japan. Following a brief military career, including service in the American Civil War, he became a successful entrepreneur and commercial photographer.

His photographic work was highly regarded, particularly his hand-coloured portraits and landscapes,of which he sold mostly to foreign residents and visitors to the country. Farsari's images were widely distributed, presented or mentioned in books and periodicals, and sometimes recreated by artists in other media; they shaped foreign perceptions of the people and places of Japan and to some degree did affect how Japanese saw themselves and their country.

His studio – the last notable foreign-owned studio in Japan – was one of the country's largest and most prolific commercial photographic firms. Largely due to Farsari's exacting technical standards and his entrepreneurial abilities, it had a significant influence on the development of photography in Japan. ( Full article...)

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