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T H E A R T S P O R T A L

Self-Portrait by
Rembrandt

The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space.

Prominent examples of the arts include architecture, visual arts (including ceramics, drawing, filmmaking, painting, photography, and sculpting), literary arts (including fiction, drama, poetry, and prose), performing arts (including dance, music, and theatre), textiles and fashion, folk art and handicraft, oral storytelling, conceptual and installation art, criticism, and culinary arts (including cooking, chocolate making and winemaking). They can employ skill and imagination to produce objects, performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular or everyday practices as well as more sophisticated and systematic, or institutionalized ones. They can be discrete and self-contained, or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography.

By definition, the arts themselves are open to being continually re-defined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity, and as ends in themselves, the arts can simultaneously be a form of response to the world, and a way that our responses, and what we deem worthwhile goals or pursuits, are transformed. From prehistoric cave paintings, to ancient and contemporary forms of ritual, to modern-day films, art has served to register, embody and preserve our ever shifting relationships to each other and to the world. ( Full article...)

Outline of performing arts
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Christ enthroned.

The Book of Kells ( Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. [58], sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland, Scotland or England, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. The manuscript takes its name from the Abbey of Kells, County Meath, which was its home for centuries.

The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations. ( Full article...)
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Zodiac is a 2007 American mystery thriller film directed by David Fincher from a screenplay by James Vanderbilt, based on the non-fiction books by Robert Graysmith, Zodiac and Zodiac Unmasked, which were published in 1986 and 2002, respectively. The film stars Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr. with Anthony Edwards, Brian Cox, Elias Koteas, Donal Logue, John Carroll Lynch, Chloë Sevigny, Philip Baker Hall and Dermot Mulroney in supporting roles.

The film tells the story of the manhunt for the Zodiac Killer, a serial murderer who terrorized the San Francisco Bay Area during the late 1960s and early 1970s, taunting police with letters, bloodstained clothing, and ciphers mailed to newspapers. The case remains one of the United States' most infamous unsolved crimes. Fincher, Vanderbilt, and producer Bradley J. Fischer spent 18 months conducting their own investigation and research into the Zodiac murders. Fincher employed the digital Thomson Viper FilmStream Camera to photograph most of the film, with traditional high-speed film cameras used for slow-motion murder sequences. ( Full article...)
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Frontispiece and title page of 1773 edition

Harris's List of Covent Garden Ladies, published from 1757 to 1795, was an annual directory of prostitutes then working in Georgian London. A small pocketbook, it was printed and published in Covent Garden, and sold for two shillings and sixpence. A contemporary report of 1791 estimates its circulation at about 8,000 copies annually.

Each edition contains entries describing the physical appearance and sexual specialities of about 120–190 prostitutes who worked in and around Covent Garden. Through their erotic prose, the list's entries review some of these women in lurid detail. While most compliment their subjects, some are critical of bad habits, and a few women are even treated as pariahs, perhaps having fallen out of favour with the list's authors, who are never revealed. ( Full article...)
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The new 7 World Trade Center from the southwest (2008)

7 World Trade Center (7 WTC, WTC-7, or Tower 7) refers to two buildings that have existed at the same location within the World Trade Center site in Lower Manhattan, New York City. The original structure, part of the original World Trade Center, was completed in 1987 and was destroyed in the September 11 attacks in 2001. The current structure opened in May 2006. Both buildings were developed by Larry Silverstein, who holds a ground lease for the site from the Port Authority of New York and New Jersey.

The original 7 World Trade Center was 47 stories tall, clad in red granite masonry, and occupied a trapezoidal footprint. An elevated walkway spanning Vesey Street connected the building to the World Trade Center plaza. The building was situated above a Consolidated Edison power substation, which imposed unique structural design constraints. When the building opened in 1987, Silverstein had difficulties attracting tenants. Salomon Brothers signed a long-term lease in 1988 and became the anchor tenant of 7 WTC. ( Full article...)
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The Old Church of St Nidan, Llanidan is a medieval church in the community of Llanidan, in Anglesey, North Wales, close to the Menai Strait. The first church on the site was established in the 7th century by St Nidan, the confessor of the monastery at Penmon, Anglesey, but the oldest parts of the present structure, are now closed and partly ruined, date from the 14th century. In about 1500 the church was enlarged by the addition of a second nave on the north side, separated from the earlier nave by an arcade of six arches. During 1839 till 1843 a new church was built nearby to serve the local community, partly due to the cost of repairing the old church. Much of the building was subsequently demolished, leaving only part of the western end and the central arcade. The decision was condemned at the time by Harry Longueville Jones, a clergyman and antiquarian, who lamented the "melancholy fate" of what he called "one of the largest and most important [churches] in the island of Anglesey". Other appreciative comments have been made about the church both before and after its partial demolition.

After that a new church was opened, the old church was used as a chapel for funerals for a period of time. It has been restored by the owners of the adjoining house, Plas Llanidan, and is occasionally open to the public. The remaining parts of the church are a Grade II* listed building, a national designation given to "particularly important buildings of more than special interest", in particular because St Nidan's is regarded as "a good example of a simple medieval rural church, enriched by 15th-century additions". ( Full article...)
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Hellraiser: Judgment is a 2018 American horror film written and directed by Gary J. Tunnicliffe, based on the characters created by Clive Barker. The tenth installment in the Hellraiser film series, the film stars Damon Carney, Randy Wayne, Alexandra Harris, Heather Langenkamp, and Paul T. Taylor, and centers on three police detectives who, investigating a series of murders, are confronted by the denizens of hell. The film expands the fictional universe by introducing a new faction of hell: the Stygian Inquisition. While the Cenobites offer sadomasochistic pleasures to humans that enter their dominion, the Inquisition processes the souls of sinners. Tunnicliffe plays the Inquisition's auditor, a prominent role in the film.

Unable to direct his screenplay for Hellraiser: Revelations due to a scheduling conflict, Tunnicliffe initially removed all references to the series from his Judgment concept and tried to have it funded as an independent film in 2013. He intended on making a "true" Hellraiser film because of his disappointment with the later films. Several years later, Dimension Films was required to make another Hellraiser film to retain the rights, giving Tunnicliffe a chance to propose his vision. The concept was initially rejected but accepted after he negotiated changes with the studio executives. It was filmed in Oklahoma with Children of the Corn: Runaway, both films produced by Michael Leahy. It is the second Hellraiser film without Doug Bradley as Pinhead; newcomer Taylor was cast after impressing Tunnicliffe in an audition. He and Tunnicliffe decided to develop a new look and interpretation, rather than imitating Bradley's performance. ( Full article...)
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1897 illustration of La Peau de chagrin, drawn by Adrien Moreau and published by George Barrie & Son

La Peau de chagrin (French pronunciation: [la po də ʃaɡʁɛ̃], The Skin of Shagreen), known in English as The Wild Ass's Skin is an 1831 novel by French novelist and playwright Honoré de Balzac (1799–1850). Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen (untanned skin from a wild ass) that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Études philosophiques group of Balzac's sequence of novels, La Comédie humaine.

Before the book was completed, Balzac created excitement about it by publishing a series of articles and story fragments in several Parisian journals. Although he was five months late in delivering the manuscript, he succeeded in generating sufficient interest that the novel sold out instantly upon its publication. A second edition, which included a series of twelve other "philosophical tales", was released one month later. ( Full article...)
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Constance Stokes (née Parkin, 22 February 1906 – 14 July 1991) was a modernist Australian painter who worked in Victoria. She trained at the National Gallery of Victoria Art School until 1929, winning a scholarship to continue her study at London's Royal Academy of Arts. Although Stokes painted few works in the 1930s, her paintings and drawings were exhibited from the 1940s onwards. She was one of only two women, and two Victorians, included in a major exhibition of twelve Australian artists that travelled to Canada, the United Kingdom and Italy in the early 1950s.

Influenced by George Bell, Stokes was part of the Melbourne Contemporary Artists, a group Bell established in 1940. Her works continued to be well-regarded for many years after the group's formation, in contrast to those by many of her Victorian modernist colleagues, with favourable reviews from critics such as Sir Philip Hendy in the United Kingdom and Bernard William Smith in Australia. ( Full article...)
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Ham House in 2016, with Coade stone statue of Father Thames, by John Bacon the elder, in the foreground

Ham House is a 17th-century house set in formal gardens on the bank of the River Thames in Ham, south of Richmond in the London Borough of Richmond upon Thames. The original house was completed in 1610 by Thomas Vavasour, an Elizabethan courtier and Knight Marshal to James I. It was then leased, and later bought, by William Murray, a close friend and supporter of Charles I. The English Civil War saw the house and much of the estate sequestrated, but Murray's wife Katherine regained them on payment of a fine. During the Protectorate his daughter Elizabeth, Countess of Dysart on her father's death in 1655, successfully navigated the prevailing anti-royalist sentiment and retained control of the estate.

The house achieved its greatest period of prominence following Elizabeth's second marriage—to John Maitland, Duke of Lauderdale, in 1672. The Lauderdales held important roles at the court of the restored Charles II, the duke being a member of the Cabal ministry and holder of major positions in Scotland, while the Duchess exercised significant social and political influence. They began an ambitious program of development and embellishment at Ham. The house was almost doubled in size and equipped with private apartments for the Duke and Duchess, as well as princely accommodation suites for visitors. The house was furnished to the highest standards of courtly taste and decorated with "a lavishness which transcended even what was fitting to their exalted rank". The Lauderdales accumulated notable collections of paintings, tapestries and furniture, and redesigned the gardens and grounds to reflect their status and that of their guests. ( Full article...)
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Lemurs of Madagascar is a 2010 reference work and field guide for the lemurs of Madagascar, giving descriptions and biogeographic data for the known species. The primary contributor is Russell Mittermeier, president of Conservation International, and the cover art and illustrations were drawn by Stephen D. Nash. Currently in its third edition, the book provides details about all known lemur species, general information about lemurs and their history, and also helps travelers identify species they may encounter. Four related pocket field guides have also been released, containing color illustrations of each species, miniature range maps, and species checklists.

The first edition was reviewed favorably in the International Journal of Primatology, Conservation Biology, and Lemur News. Reviewers, including Alison Jolly, praised the book for its meticulous coverage of each species, numerous high-quality illustrations, and engaging discussion of lemur topics, including conservation, evolution, and the recently extinct subfossil lemurs. Each agreed that the book was an excellent resource for a wide audience, including ecotourists and lemur researchers. A lengthy review of the second edition was published in the American Journal of Primatology, where it received similar favorable comments, plus praise for its updates and enhancements. The third edition was reviewed favorably in Lemur News; the reviewer praised the expanded content of the book, but was concerned that the edition was not as portable as its predecessors. ( Full article...)
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The Royal Opera House, home of The Royal Opera

The Royal Opera is a British opera company based in central London, resident at the Royal Opera House, Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, the company had that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet.

When the company was formed, its policy was to perform all works in English, but since the late 1950s most operas have been performed in their original language. From the outset, performers have comprised a mixture of British and Commonwealth singers and international guest stars, but fostering the careers of singers from within the company was a consistent policy of the early years. Among the many guest performers have been Maria Callas, Plácido Domingo, Kirsten Flagstad, Hans Hotter, Birgit Nilsson, Luciano Pavarotti and Elisabeth Schwarzkopf. Among those who have risen to international prominence from the ranks of the company are Geraint Evans, Joan Sutherland, Kiri Te Kanawa and Jon Vickers. ( Full article...)
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View from the Manhattan Municipal Building

The Surrogate's Courthouse (also the Hall of Records and 31 Chambers Street) is a historic building at the northwest corner of Chambers and Centre Streets in the Civic Center of Manhattan in New York City. Completed in 1907, it was designed in the Beaux Arts style. John Rochester Thomas created the original plans while Arthur J. Horgan and Vincent J. Slattery oversaw the building's completion. The building faces City Hall Park and the Tweed Courthouse to the south and the Manhattan Municipal Building to the east.

The Surrogate's Courthouse is a seven-story steel-framed structure with a granite facade and elaborate marble interiors. The fireproof frame was designed to safely accommodate the city's paper records. The exterior is decorated with 54 sculptures by Philip Martiny and Henry Kirke Bush-Brown, as well as three-story colonnades with Corinthian columns along Chambers and Reade Streets. The basement houses the New York City Municipal Archives. The fifth floor contains the New York Surrogate's Court for New York County, which handles probate and estate proceedings for the New York State Unified Court System. ( Full article...)
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First edition cover (1843)

A Christmas Carol. In Prose. Being a Ghost Story of Christmas, commonly known as A Christmas Carol, is a novella by Charles Dickens, first published in London by Chapman & Hall in 1843 and illustrated by John Leech. A Christmas Carol recounts the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come. After their visits, Scrooge is transformed into a kinder, gentler man.

Dickens wrote A Christmas Carol during a period when the British were exploring and re-evaluating past Christmas traditions, including carols, and newer customs such as Christmas cards and Christmas trees. He was influenced by the experiences of his own youth and by the Christmas stories of other authors, including Washington Irving and Douglas Jerrold. Dickens had written three Christmas stories prior to the novella, and was inspired following a visit to the Field Lane Ragged School, one of several establishments for London's street children. The treatment of the poor and the ability of a selfish man to redeem himself by transforming into a more sympathetic character are the key themes of the story. There is discussion among academics as to whether this is a fully secular story, or if it is a Christian allegory. ( Full article...)
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" Ice" is the eighth episode of the first season of the American science fiction television series The X-Files, which premiered on the Fox network on November 5, 1993. It was directed by David Nutter and written by Glen Morgan and James Wong. The debut broadcast of "Ice" was watched by 10 million viewers in 6.2 million households and received positive reviews at large from critics, who praised its tense atmosphere.

The plot of the episode shows FBI special agents Fox Mulder ( David Duchovny) and Dana Scully ( Gillian Anderson) investigating the deaths of an Alaskan research team. Isolated and alone, the agents and their accompanying team discover the existence of extraterrestrial parasitic organisms that drive their hosts into impulsive fits of rage. ( Full article...)
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Buckton Castle was a medieval enclosure castle near Carrbrook in Stalybridge, Greater Manchester, England. It was surrounded by a 2.8-metre-wide (9 ft) stone curtain wall and a ditch 10 metres (33 ft) wide by 6 metres (20 ft) deep. Buckton is one of the earliest stone castles in North West England and only survives as buried remains overgrown with heather and peat. It was most likely built and demolished in the 12th century. The earliest surviving record of the site dates from 1360, by which time it was lying derelict. The few finds retrieved during archaeological investigations indicate that Buckton Castle may not have been completed.

In the 16th century, the site may have been used as a beacon for the Pilgrimage of Grace. During the 18th century, the castle was of interest to treasure hunters following rumours that gold and silver had been discovered at Buckton. The site was used as an anti-aircraft decoy site during the Second World War. Between 1996 and 2010, Buckton Castle was investigated by archaeologists as part of the Tameside Archaeology Survey, first by the University of Manchester Archaeological Unit then the University of Salford's Centre for Applied Archaeology. The project involved community archaeology, and more than 60 volunteers took part. The castle, close to the Buckton Vale Quarry, is a Scheduled Ancient Monument. ( Full article...)

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Nias

Credit: Photo: Ludwig Borutta; Restoration: Lise Broer

Megaliths, some decorated, were a part of the culture of the island of Nias off the western coast of Sumatra, Indonesia. Among the many uses of these large stones were statues, seats for the chieftains, and tables where justice was done. Additionally, some stones commemorated the deaths of important people. In this 1915 photo, such a stone is hauled upwards, reportedly taking 525 people three days to erect in the village of Bawemataloeo.

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Did you know...

... that the United States Class II 1804 Silver Dollar (pictured) is alleged to have been struck over a Swiss Shooting Thaler?
... that a heckling comb is used when hand processing flax to comb out and clean the fibers?
... that between 1970 and 1984 the WE Seal of approval program aided in an estimated US$100,000 in restitution being made to collectors of comics and other memorabilia victimized by mail fraud?

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In this month

5 May 1726 – Handel's opera Alessandro premieres at the King's Theatre in London with Italian castrato singer Senesino in the title role
12 May 1926 – Dmitri Shostakovich's Symphony No. 1, which he composed at the age of 19 while a student at Leningrad Conservatory, receives its first performance
22 May 1844 – Impressionst painter and printmaker Mary Cassatt (self-portrait pictured) is born in Allegheny, Pennsylvania
26 May 1897 – Bram Stoker's novel Dracula, which later became the subject of numerous theatrical, film and television interpretations, is published by Constable & Co.
29 May 1913 – Igor Stravinsky's ballet The Rite of Spring premieres in Paris and causes a riot in the audience between supporters and opponents of the work

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El Lissitzky was a Russian artist, designer, photographer, teacher, typographer, and architect. He was one of the most important figures of the Russian avant-garde, helping develop suprematism with his friend and mentor, Kazimir Malevich, and designed numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus, Constructivist, and De Stijl movements and experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarised with his edict, "das zielbewußte Schaffen" (The task-oriented creation). In 1941 he produced one of his last known works — a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. ( Full article...)