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T H E A R T S P O R T A L

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The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space.

Prominent examples of the arts include architecture, visual arts (including ceramics, drawing, filmmaking, painting, photography, and sculpting), literary arts (including fiction, drama, poetry, and prose), performing arts (including dance, music, and theatre), textiles and fashion, folk art and handicraft, oral storytelling, conceptual and installation art, criticism, and culinary arts (including cooking, chocolate making and winemaking). They can employ skill and imagination to produce objects, performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular or everyday practices as well as more sophisticated and systematic, or institutionalized ones. They can be discrete and self-contained, or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography.

By definition, the arts themselves are open to being continually re-defined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity, and as ends in themselves, the arts can simultaneously be a form of response to the world, and a way that our responses, and what we deem worthwhile goals or pursuits, are transformed. From prehistoric cave paintings, to ancient and contemporary forms of ritual, to modern-day films, art has served to register, embody and preserve our ever shifting relationships to each other and to the world. ( Full article...)

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Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya Dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya Dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. ( Full article...)
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Paradises Lost is a science fiction novella by American author Ursula K. Le Guin. It was first published in 2002 as a part of the collection The Birthday of the World. It is set during a multigenerational voyage from Earth to a potentially habitable planet. The protagonists, Liu Hsing and Nova Luis, are members of the fifth generation born on the ship. The story follows them as they deal with members of religious cult who do not believe in the ship stopping at its intended destination. They also face a crisis brought on by a drastic change in the ship's schedule. The novella has since been anthologized as well as adapted into an opera of the same name.

The novella explores the isolation brought on by space travel, as well as themes of religion and utopia. It contains elements of ecocriticism, or a critique of the idea that human beings are altogether separate from their natural environment. The novella and the collections it was published in received high praise from commentators. For its generation ship setting and examination of utopia, critics compared it to other Le Guin works such as "Newton's Sleep", and The Telling, as well as to the works of Gene Wolfe and Molly Gloss. Scholar Max Haiven described the novella as "a chastening lesson in both the potential and the perils of freedom", while author Margaret Atwood said that it "shows us our own natural world as a freshly discovered Paradise Regained, a realm of wonder". ( Full article...)
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Late 16th-century ( Azuchi–Momoyama period) depiction of Murasaki Shikibu, by Kanō Takanobu
Murasaki Shikibu (紫式部, English: "Lady Murasaki"; c. 973 or 978 – c. 1014 or 1031) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She is best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoriko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting.

Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to late twenties and gave birth to a daughter before her husband died, two years after they were married. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1031. ( Full article...)
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Tornado over Kansas, or simply The Tornado, is a 1929 oil-on-canvas painting by the American Regionalist painter John Steuart Curry. It depicts a dramatic scene in which a family races for shelter as a tornado approaches their farm, and has compositional connections to Curry's earlier 1928 painting Baptism in Kansas. The artist is believed to have been influenced by Baroque art and photographs of tornadoes. He developed a fear of natural disasters and a reverence towards God during his childhood, both of which are apparent in the painting.

Following its 1930 debut, Tornado over Kansas was considered a notable Regionalist work, but native Kansans disliked the choice of subject matter. Although the painting won awards and was lauded by some, others criticized Curry's amateur style of painting. Curry's work attracted criticism from contemporary painters Stuart Davis and Thomas Hart Benton, and logical inconsistencies and technical errors in the composition have been noted. ( Full article...)
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Eve Russell is a fictional character on the American soap opera Passions, which aired on NBC from 1999 to 2007 and on DirecTV in 2007–08. Created by the soap's head writer, James E. Reilly, Eve was played by Tracey Ross for the series' entire run. In 2003, actresses Amanda Maiden and Kimberly Kevon Williams played the character in flashbacks to her childhood and her time as a nightclub singer. Ross was initially hesitant to audition for the role following her negative experience on Ryan's Hope, but was attracted to the show after learning about its supernatural and fantasy elements. Her casting was part of NBC's attempt to include a racially diverse ensemble on daytime television. She based her performance on Joanne Woodward's role in the 1957 film The Three Faces of Eve and Catherine Halsey from Ayn Rand's 1943 novel, The Fountainhead.

Eve, part of Passions' Russell family, is introduced as the perfect wife of T. C. Russell and mother of Whitney and Simone. Eve's desperation to conceal all evidence of her past relationship—and child—with Julian Crane leads to the breakup of her marriage and family, especially when her adoptive sister Liz Sanbourne arrives in the fictional Northeastern town of Harmony and ruins Eve's life for abandoning her first family. Later storylines focus on Eve's on-again, off-again relationship with Julian, and her search for their son, who is revealed as Vincent Clarkson despite long-running speculation by the show's characters and media outlets that he was Chad Harris-Crane. Ross and Johnson made cameo appearances as Eve and T. C. in the series finale of the NBC primetime drama Providence. At the end of the show, several props and costumes related to Eve were sold in an auction, along with other items from the show. ( Full article...)
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Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London.

History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem " Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman. ( Full article...)
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Alfred, Lord Tennyson, author of "Ulysses", portrayed by George Frederic Watts

" Ulysses" is a poem in blank verse by the Victorian poet Alfred, Lord Tennyson (1809–1892), written in 1833 and published in 1842 in his well-received second volume of poetry. An oft-quoted poem, it is a popular example of the dramatic monologue. Facing old age, mythical hero Ulysses describes his discontent and restlessness upon returning to his kingdom, Ithaca, after his far-ranging travels. Despite his reunion with his wife Penelope and his son Telemachus, Ulysses yearns to explore again.

The character of Ulysses (in Greek, Odysseus) has been explored widely in literature. The adventures of Odysseus were first recorded in Homer's Iliad and Odyssey (c. 800–700 BC), and Tennyson draws on Homer's narrative in the poem. Most critics, however, find that Tennyson's Ulysses recalls Dante's Ulisse in his Inferno (c. 1320). In Dante's re-telling, Ulisse is condemned to hell among the false counsellors, both for his pursuit of knowledge beyond human bounds and for creating the deception of the Trojan horse. ( Full article...)
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West façade

The Honan Chapel ( Irish: Séipéal Uí Eonáin, formally Saint Finbarr's Collegiate Chapel and The Honan Hostel Chapel) is a small Catholic church built in the Hiberno- Romanesque revival style on the grounds of University College Cork, Ireland. Designed in 1914, the building was completed in 1916 and furnished by 1917. Its architecture and fittings are representative of the Celtic Revival movement and evoke the Insular art style prevalent in Ireland and Britain between the 7th and 12th centuries.

Its construction was initiated and supervised by the Dublin solicitor John O'Connell, a leading member of the Celtic Revival and Arts and Crafts movements. He was funded by Isabella Honan (1861–1913), the last member of a wealthy Cork family, who made a significant donation towards the construction of the chapel. O'Connell oversaw both the design and the commissioning of its building and furnishings. He guided the architect James F. McMullen and the builders John Sisk and Sons, and the craftsmen and artists involved in its artwork. ( Full article...)
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The Hogwarts Express is an 1,800 mm (5 ft 10+7⁄8 in) broad gauge cable railway, people mover, and attraction within the Universal Orlando Resort in Orlando, Florida, United States. The route runs 676 meters (2,218 ft) between Hogsmeade station in the Islands of Adventure theme park and King's Cross station in the London area of the Universal Studios Florida theme park. It provides a connection between the Diagon Alley and Hogsmeade areas which, together, form The Wizarding World of Harry Potter, based on the Harry Potter film series.

The system, which was manufactured by the Doppelmayr Garaventa Group, is operated with two replicas of the fictional Hogwarts Express. The two directions of travel show two different videos. Because the trains transport guests between stations in two separate theme parks, riders must have an admission pass valid for both theme parks, with ticket inspectors checking prior to boarding. ( Full article...)
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Temperatures Rising is an American television sitcom that aired on the ABC network from September 12, 1972 to August 29, 1974. During its 46-episode run, it was presented in three different formats and cast line-ups. The series was developed for the network by William Asher and Harry Ackerman for Ashmont Productions and Screen Gems. Set in a fictional Washington, D.C. hospital, the series first featured James Whitmore as a no-nonsense chief of staff, forced to deal with the outlandish antics of a young intern ( Cleavon Little) and three nurses ( Joan Van Ark, Reva Rose, and Nancy Fox).

For the first season, 26 episodes were produced and broadcast. In the second season, Whitmore was replaced in the lead role by comedian Paul Lynde, and Asher was replaced as producer by Duke Vincent and Bruce Johnson. The series was re-titled The New Temperatures Rising Show, and featured a new supporting cast: Sudie Bond, Barbara Cason, Jennifer Darling, Jeff Morrow, and John Dehner. Cleavon Little was the only returning member of the original cast. In this season, Lynde was presented as the penny-pinching chief of staff, with Bond as his nagging mother and owner of the hospital. ( Full article...)
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Illustration for "To Autumn" by William James Neatby, from A Day with Keats, 1899

" To Autumn" is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year after the publication of "To Autumn", Keats died in Rome.

The poem has three eleven-line stanzas which describe a progression through the season, from the late maturation of the crops to the harvest and to the last days of autumn when winter is nearing. The imagery is richly achieved through the personification of Autumn, and the description of its bounty, its sights and sounds. It has parallels in the work of English landscape artists, with Keats himself describing the fields of stubble that he saw on his walk as conveying the warmth of "some pictures". ( Full article...)
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Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e ( 浮世絵) translates as "picture[s] of the floating world".

In 1603, the city of Edo ( Tokyo) became the seat of the ruling Tokugawa shogunate. The chōnin class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ukiyo ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the chōnin class, who had become wealthy enough to afford to decorate their homes with them. ( Full article...)
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Formby in 1919

George Formby (born James Lawler Booth; 4 October 1875 – 8 February 1921) was an English comedian and singer in musical theatre, known as one of the greatest music hall performers of the early 20th century. His comedy played upon Lancashire stereotypes, and he was popular around Britain. His nickname, "The Wigan Nightingale", was coined because of the way he would use his bronchial cough as a comedic device in his act.

Formby was born into poverty in the industrial North West England; his mother was an alcoholic and part-time prostitute, and during much of his youth he was maltreated. To earn money he would sing for pennies on street corners, before he joined a singing duo in his teens. He began to develop his own act during the 1890s and built up a following in Lancashire. He also developed a series of stage characters, including that of "John Willie", which is described by the cultural historian Jeffrey Richards as "the archetypal gormless Lancashire lad ... hen-pecked, accident-prone, but muddling through." Formby also had a successful recording career and made the transition from music hall to revue in 1916. ( Full article...)
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Proserpine by Dante Gabriel Rossetti (1874)

Proserpine is a verse drama written for children by the English Romantic writers Mary Shelley and her husband Percy Bysshe Shelley. Mary wrote the blank verse drama and Percy contributed two lyric poems. Composed in 1820 while the Shelleys were living in Italy, it is often considered a partner to the Shelleys' play Midas. Proserpine was first published in the London periodical The Winter's Wreath in 1832. Whether the drama was ever intended to be staged is a point of debate among scholars.

The drama is based on Ovid's tale of the abduction of Proserpine by Pluto, which itself was based on the Greek myth of Demeter and Persephone. Mary Shelley's version focuses on the female characters. In a largely feminist retelling from Ceres's point of view, Shelley emphasises the separation of mother and daughter and the strength offered by a community of women. Ceres represents life and love, and Pluto represents death and violence. The genres of the text also reflect gender debates of the time. Percy contributed in the lyric verse form traditionally dominated by men; Mary created a drama with elements common to early nineteenth-century women's writing: details of everyday life and empathetic dialogue. ( Full article...)
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Millennium Park is a public park located in the Loop community area of Chicago, operated by the Chicago Department of Cultural Affairs. The park, intended to celebrate the third millennium, is a prominent civic center near the city's Lake Michigan shoreline that covers a 24.5-acre (9.9 ha) section of northwestern Grant Park.

Opened in 2004, the area was previously occupied by parkland, the Illinois Central rail yards, and parking lots. Featuring a variety of public art, outdoor spaces and venues, the park is bounded by Michigan Avenue, Randolph Street, Columbus Drive and East Monroe Drive. In 2015, the park became the location of the city's annual Christmas tree lighting. ( Full article...)

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Baris tunggal

Photograph: Chris Woodrich

A dancer from Sanata Dharma University's Sekar Jepun troupe performing the baris tunggal dance. The baris family of Balinese war dances is accompanied by gamelan and performed by one or more men, sometimes wielding a variety of weapons. The dance has been understood to depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence.

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Did you know...

... that Albrecht Dürer's pupil Hans Springinklee is best known for his woodcuts (example pictured)?
... that the lyrics of Naer Mataron, a black metal band from Greece, are influenced by Greek mythology?
... that the Villa Medici del Trebbio was one of the first of the Medici villas outside Florence?

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In this month

5 May 1726 – Handel's opera Alessandro premieres at the King's Theatre in London with Italian castrato singer Senesino in the title role
12 May 1926 – Dmitri Shostakovich's Symphony No. 1, which he composed at the age of 19 while a student at Leningrad Conservatory, receives its first performance
22 May 1844 – Impressionst painter and printmaker Mary Cassatt (self-portrait pictured) is born in Allegheny, Pennsylvania
26 May 1897 – Bram Stoker's novel Dracula, which later became the subject of numerous theatrical, film and television interpretations, is published by Constable & Co.
29 May 1913 – Igor Stravinsky's ballet The Rite of Spring premieres in Paris and causes a riot in the audience between supporters and opponents of the work

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Featured biography

Pierre Rossier was a pioneering Swiss photographer whose albumen photographs, which include stereographs and cartes-de-visite, comprise portraits, cityscapes and landscapes. He was commissioned by the London firm of Negretti and Zambra to travel to Asia and document the progress of the Anglo-French troops in the Second Opium War and, although he failed to join that military expedition, he remained in Asia for several years, producing the first commercial photographs of China, the Philippines, Japan and Siam (now Thailand). He was the first professional photographer in Japan, where he trained Ueno Hikoma, Maeda Genzō, Horie Kuwajirō, as well as lesser known members of the first generation of Japanese photographers. In Switzerland he established photographic studios in Fribourg and Einsiedeln, and he also produced images elsewhere in the country. Rossier is an important figure in the early history of photography not only because of his own images, but also because of the critical impact of his teaching in the early days of Japanese photography. ( Full article...)