Portal:Novels

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The Novels Portal

Title page of the 1628 edition of Bacon's New Atlantis

A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the Italian: novella for "new", "news", or "short story of something new", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new".

Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, John Cowper Powys, preferred the term "romance" to describe their novels.

According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian renaissance novella. The ancient romance form was revived by Romanticism, especially the historical romances of Walter Scott and the Gothic novel. Some, including M. H. Abrams and Walter Scott, have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. ( Full article...)

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Simón Bolívar, protagonist of the novel
The General in His Labyrinth is a novel by the Colombian writer and Nobel laureate Gabriel García Márquez. It is a fictionalized account of the last days of Simón Bolívar, liberator and leader of Gran Colombia. First published in 1989, the book traces Bolívar's final journey from Bogotá to the Caribbean coastline of Colombia in his attempt to leave South America for exile in Europe. In this dictator novel about a continental hero, "despair, sickness, and death inevitably win out over love, health, and life". Breaking with the traditional heroic portrayal of Bolívar El Libertador, García Márquez depicts a pathetic protagonist, a prematurely aged man who is physically ill and mentally exhausted. The story explores the labyrinth of Bolívar's life through the narrative of his memories. Its mixture of genres makes The General in His Labyrinth difficult to classify, and commentators disagree over where it lies on the scale between novel and historical account. García Márquez's insertion of interpretive and fictionalized elements—some dealing with Bolívar's most intimate moments—caused outrage in parts of Latin America when the book was released. Many prominent Latin American figures believed that the novel damaged the reputation of one of the region's most important historic figures and portrayed a negative image to the outside world.

Selected novel quote

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  • Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows- a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues — every stately or lovely emblazoning — the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge — pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?

Moby-Dick

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Ralph Fletcher

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